| REGINA: Between Immanence and Permanence |
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| Friday, 27 January 2012 | by
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New work by John G. Hampton
A generative catalogue of every image that does or could exist at 200x120 pixels in grayscale. The knobs navigate through the possibilities at varying speeds—the leftmost being quickest and the rightmost being most precise. Code written by Aaron Hampton.
Two hundred rearrangeable prints illustrating concepts of emmergence and material order.
Three strands of sweetgrass (unbraided), dust remnants from installation, disassembled sculpture, Stéphane Mallarmé’s Un Coup de Dés Jamais N'Abolira Le Hasard (A Throw of the Dice will Never Abolish Chance). |
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Location : First Nations University of Canada Art Gallery, Regina |
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